人生就是由喜憂參半的微粒所構成的：

與人類圖分析師聊創作者心路歷程

Life is composed of the mixed hope-and-fear particles;

Chat with human-design chart analysts about creators’ mental journey

靈性，是指「在各種相處關係中達到平衡的最佳狀態」。嵐澄創藝x謬謬藝術 本集邀請到人類圖分析師「 Faye觀人類圖·你看看你」的 Faye，讓我們在靈性開發與新維度的提升中，認識到人類圖這個知識系統，透過「人生的使用說明書」一起聊聊創意、藝術工作者喜憂參半的生涯歷程。

✦安然地擁抱自己✦

Embrace ourself calmly

人類圖就像是我們的人生設計圖，也是原始設定，重要的不是使用說明書給的答案，而是透過這項工具，讓我們能夠練習去探索自己、了解自己，順應著自己的能量做出每個決定，就能遇到此生應該要遇到的體驗，也就是所謂的「活出自己」。

創意工作者、藝術工作者，面對數位時代及多工的自己，該如何平衡每一個角色、時間、收入及創作？面對無止盡追尋的道路，該如何泰然自處？創業家該如何處理自己的壓力，還有任重而道遠的苦澀？

✦安定地探索人生✦

Explore life stably

通常在我們所處的物質與人類世界裡，天賦才華往往泛指卓越的能力、特長，適合的志業發展或是能夠換取報酬的能力。其實除此之外，每個人其實都擁有自己的專屬的獨到之處，更也是自己的熱情所在，「探索自己的獨特」就是人類圖非常重要的核心價值。

希望在本次的分享裡，無論是創意工作者、藝術工作者、創作者，或者是其他領域，形形色色的人們，都能夠獲得療癒及些許的啟發。

Spirituality indicates “An optimum status to reach the balance in various dealing relations”. In this episode, Mistypure x Mummum Art invites Master Faye, the analyst of human-design chart and the author of the “Faye’s viewpoint on the human-design chart— just look yourself”, to chat about innovative and artistic practitioners’ career courses mingled with hope and fear, then, through the “Specification for human life” to recognize the knowledge system of Human-design Chart during the process to enhance our spiritual development and new dimension.

Just like our life’s designing chart, Human-design Chart is a primitive setting — it is not the solution printed on its specification but an instrument for us to explore or comprehend ourself in practices, then, follow our own energy to make each decision, the experience of which is what we shall meet in our lifetime, i.e., what so-called the experience to live out our life.

How to balance each role, timeframe, income, and creation is an issue the innovative and artistic workers must be confronted. As facing multitasking and these endless chasing routes, how should they (or entrepreneurs) preserve their equanimity, deal with the pressure, and taste the acerbic flavor? It has become a heavy responsibility to be shouldered.

In the material and human world where we live, in general, innate genius often indicates the excellent capability or specialty able to develop our vocation, or to exchange remuneration. In fact, in addition to the fact aforesaid, each of us possesses our own exclusive originality, i.e., the site where our enthusiasm locates. To explore our own unique is a very important core value in the Human-design Chart.

Regardless of the innovative or artistic workers, creators, or all forms of people in other fields, we expect that they all can obtain a comforting effect or a bit of enlightenment in this share.

《New Age》線上聯展

New Age 線上聯展邀請了謬謬藝術合作藝術家沈鈺華 SHEN Yu-Hua、人氣插畫家許嫚庭 Manting Illustration，以及謬謬藝術主力藝術家葉巽Yeh Xun，從對萬物生命流逝的紀錄，到對生命之旅中，每一刻相遇風景的轉化，以及讓觀看的「物」，成為我們自己專屬的意識，希望每個觀者在面對各種人、事、物的關係，甚至於與自我意識之間的關係，都能夠達到一個平衡的狀態。

We have invited Shen Yu-hua (the artist coordinated with Mummum Art), Hsu Man-Ting (the popular illustrator), and Yeh Xun (the artist served as Mummum’s anchor) to participate in the New Age On-line Exhibition. From recording the lapse of all beings to transforming each scene encountered at every moment in our life journey, all of the “Object” we had ever seen has become the consciousness exclusive for ourselves. We do hope that every visitor can reach a balanced status when appreciating and noticing the relation among all kinds of people, matters, and objects, or even the relation amid the self-consciousness.

Joint Exhibition Online

從沈鈺華的《時間集 The Seasons》為開端，在面對萬物短暫生命的流逝，「替花朵畫肖像」保存與紀錄。沈鈺華 SHEN Yu-Hua出生於台灣台北，畢業於巴黎第一大學造型藝術研究所，曾於德國ArToll以及上海Swatch和平飯店藝術中心駐村，因著不同的駐村經驗，將異地的生活日常作為創作養分。瞬息的生命本質使花的姿態終究是個印象，依著季節盛放的花草，描繪出那短暫的綻放。在「替花朵畫肖像」的過程中，面對流逝與保存間的狀態誠實以對，記錄下花的美與虛空。謬謬咖啡鎔鑄創作意涵，凝聚成屬於四季時序咖啡茶飲與甜點，將藝術家沈鈺華水彩畫創作《時間集-24節氣》化作四季時序的記憶，並且將全感風味的四季體驗，寫入時間集當中，本次展期特別推出安安24節氣組合，24張花朵肖像一次擁有。

https://www.shenyuhua.com/

“The Seasons” created by Shen Yu-Hua is serving as a pioneering introduction; facing the lapse of all beings’ short life, she preserves and records them in her work of the “Painting the portrait for flowers”. Shen Yu-Hua was born in Taipei, Taiwan, and graduated from the Plastic Art Institute of Université Paris 1 Panthéon. As an artist-in- residence staying at Artoll in German and the Swatch Art Peace Hotel in Shanghai (China), she relied on her diverse residing experiences to transform her exotic daily living into the creative nutrient. The flower posture is no more than an impression onto the transient life, the essence of which still relies on the seasonal changes. Therefore, in the process of creating the “Painting the portrait for flowers”, Shen depicted the transient blooming flowers and plants, kept track of flowers’ beauty and vanity, and honestly faced the lapsed time and preserved status. Mummum Coffee is harmonized with the creative implication, then, turned into the seasonal coffee, tea, and dessert, transforming Shen’s watercolor painting work of the “Time Anthology — 24 Solar Terms” into sequential memory of the four seasons, and writing the full-sense flavor and seasonal experience into the Time Anthology. This exhibition period particularly features combination of the An-an’s 24 Solar Terms that allows you to possess the 24-flower portrait for once.

「生命中最有記憶的風景」

The most memorable scenery in life

來自插畫家嫚庭收藏人們所捎來的訊息，針對每個人思念中記憶的痕跡或是虛幻的想像，累積成多張風景插畫。對待不可逆的時間及稍縱即逝的緣分，最溫柔的方式就是好好珍惜，並且專注在每一刻當下。因為在不同時空中每次的相遇，都是我們每個人正在體驗的生命之旅。

嫚庭來自高雄，畢業於臺灣科技大學商業設計系。插畫、設計、攝影和咖啡是生活中最喜歡的事情。相信持續創作，能為生活帶來更多可能，並帶自己到達更遠的地方。創作靈感多來自音樂、影像、文學和攝影,還有各種想像。希望透過柔軟細膩的筆觸畫出自由與寧靜舒服的感覺，描繪充滿想像和感知的獨特世界，帶觀者到達更遠的地方。

www.mantingillustration.com

The message sent by Man-Ting’s painting collectors is aiming at the memorious vestige or illusory imagination existed in people’s yearning that has been accumulated and transformed into many pieces of the landscape painting. The most tender manner to treat the irreversible time and transient serendipity is to properly treasure it and concentrate your attention on every moment, for each rendezvous in different time and space backgrounds is no other than each one of us experiencing our life itinerary.

Man-Ting, the illustrator, was graduated from Department of Design of the National Taiwan University of Science and Tech (a.k.a. Taiwan Tech). Illustration, design, photography, and coffee are the favorite things in her daily life; she convinces that constant creation can bring more probabilities into her life and take her to even farther places. Most of her creative inspirations are coming from music, portrait, literature, and photography, as well as various imaginations. She expects to paint out a sense of comfort, freedom, and tranquility through her delicate strokes, and depict a unique world alive with imagination and perception which may take visitors to reach a farther place.

雜訊在腦袋裡竄來竄去，或許有些狀態矛盾迷走且荒謬，卻也是一個個存在的意義。我正在人生中手刀狂奔，巽為易經風卦，來無影去無蹤 。

臺灣藝術家葉巽以東方哲理為底蘊，融合西方媒材與設計表現方式，探討人存在本身與宇宙間的連結。葉巽的作品中經常帶有矛盾衝突，靜態中的動態、現代中的古典、平靜中的瘋狂，透過水平幾何解構，與觀者們對望凝視，相互思辨人存在的意涵。

Scurrying around in my brain is those noises which are, perhaps, staying in a state of contradiction, confusion, or absurdity, but they are still respectively served as an existing significance. I am running wildly in my life, with a hand knife in my hand; Xun in the Chinese interpretation represents one of the eight diagrams in I-ching symbolizing the divinatory emblem —wind— it comes and goes from nowhere…